His emphatic release is matched by everyone else on this posse cut: Kendrick Lamar switches up speeds and rhythmic stresses, handling the chorus with a couplet that claps back against rivals.
BON IVER 22 A MILLION ZIP ITUNES FULL
Over droning bass tones and a manic xylophone loop, the Detroit rapper proffers sex brags full of unexpected metaphor (“That hoe want my piccolo”), and compares the force of his rhyming to the blast from a C4 explosive. Several tracks on Atrocity Exhibition portray Danny Brown in a state of private anxiety, but “Really Doe” displays the MC at a peak of ebullience and oddball sociability. Listen: Nick Cave & the Bad Seeds: “I Need You” Wringing the rrr of “matters” and eee of “need” like a dishrag, Cave reveals an unsounded sadness and the paucity of language to express it. He drawls out these lines like an old country act as Bad Seed Warren Ellis shadows that heartache via his microKORG. “Nothing really matters” and “I need you” are as timeworn as any string of three words can be, but even if Cave can’t quite suss a new metaphor, he contorts his voice to convey the anguish instead. And while Cave’s ink-black prose has detailed death of every sort over the decades, on “ I Need You,” you can hear him abut that wordless void, dealing with a pain that rekindles in line at the grocery store. For grief of this magnitude and proximity, words founder for even the stoutest of poets. And while the music was mostly arranged and all the lyrics written by that point, that tragedy shadows Skeleton Tree like a ghost. In a break between sessions for what would become Nick Cave & the Bad Seeds’ 16th album, Cave’s 15-year-old son Arthur fell to his death from the white cliffs of Brighton. To call her “crazy” would be wrong it’s a mark of skill and gravitas that “Hold Up” makes perfect sense. As always, what Beyoncé presents the listener is utterly unflappable, idle musings upon lodging a baseball bat into the windshield of the unworthy. It’s a stream of consciousness-Beyoncé’s vocals and lyrics outpace the track throughout-but for all the emotional liability, the fears about “looking jealous or crazy,” and the vow to fuck up a bitch, the lyrics are ultimately completely contained. The samples are a bit prickly, a bit twitchy, but the track ultimately projects calm-an Andy Williams fragment ends up somewhere between new age and reggae-and the video is as much about smashing shit as dancing around the shards with the whole neighborhood. “ Hold Up” finds her peeved (to say the least), but she doesn’t sound peeved. Lemonadeis Beyoncé’s most reflective album, as she refuses to play the one-dimensional scorned woman the past few years of tabloids have reduced her to. It b ecame the most streamed song in Spotify’s history. But is Drake’s strategy canny tastemaking or stealth exploitation? Kyla was thrilled when the song was released with her name on it she pissed off her neighbors by blasting it 20 times in a row. These valuable outsiders provide the foundation to which “One Dance” returns whenever Drake’s stock melodicism needs a jolt of momentum. The song includes two features: one of them a sample of the all-but-unknown singer Kyla Reid, whose velvety voice provides an essential hook, along with echoey punctuations by Nigerian artist Wizkid. So it goes with “ One Dance,” arguably the earworm of the year. It’s basic licensing: When he hears something he likes, he stamps his name on it, adds a few verses from his tried-and-tested playbook, and calls it a hit.
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Offered mirrors and streaming after Google stopped letting people downloadĪs usual, if you have any issues with the download, just let me know and I'll do my best to correct it.Drake’s business model has proven to be very successful.Optional intro track in the Extras folder that can be played before the album for the full live recording experience.I plan on releasing downloads for two songs played during the encore in a few hours. If you attended the Eaux Claires performance and filmed any part of it or know where to find a video of the encore, please, PM me so I can release a download! I've got a few low-quality videos of the new versions of older songs they played during the encore performance, but I don't have all of it yet. MEGA - !QpdWRLZY!YeuhTARfBAnvYeh圆SPFsF3LF圆s7WKZKV62rEt_NTg It was cut from a recording of their performance at Eaux Claires. This is the entirety of Bon Iver's upcoming album, 22, A Million.